Ballets

Go for Barocco

Music by: J.S. Bach
Choreography by: Peter Anastos
Costumes by: Mike Gonzales
Lighting by: Kip Marsh

Stylistic heir to Balanchine’s “Middle-Blue-Verging-On-Black-and-White Period,” this ballet has become a primer in identifying stark coolness and choreosymphonic delineation in the new (neo) neo-new classic dance. It has been called a wristwatch for Balanchine clock time.

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